Written by VintageP
From: guitarboomer.com
You’ve gone to your local guitar store and bought some pedals and the next question is “what order do I put them in?” I often hear the recommendation "just experiment", which reminds me of the saying "if you don't know where you're starting from a map won't help." So, adopt the common order outlined below as your starting point prior to experimenting:1. Dynamic Range – Compression
2. EQ – Wah Pedal, Equalizer
3. Drive – Overdrive, Distortion, Fuzz
4. Modulation – Phaser, Flanger, Chorus
5. Time-Based – Reverb, Delay
The reason for this starting order is each pedal type imparts its own coloring to the audio signal. This order goes from least alteration of the signal to the most and minimizes the chance that the effects introduced at each point in the signal path cancel the previous ones out.
If you have a compression pedal this should be first in your default signal chain order. Compression automatically “rides the gain” by pumping up volume when levels are low and cutting it when levels peak too high. The behavior of the rest of your effects chain becomes much more predictable by receiving this more uniform and consistent audio signal.
If you have an EQ type effect it is most likely a Wah pedal, which creates its distinctive effect by sweeping a narrow frequency range up and down as you move the pedal. Placing the wah pedal next in this suggested default order enables it to benefit from the consistent audio signal coming from the compressor and it yields a more open vintage sound. In addition its output is more predictably colored by other effects down stream in the signal path such as gain and modulation.
Gain pedals emulate the saturated gain sound of a tube amp turned up to 11 by clipping the audio signal. Since this effect adds lots of gain to your signal it works best in this next position as we’re still dealing with a clean signal from the compressor and wah pedal; thus you avoid boosting unwanted noise.
Modulation type pedals operate by splitting off a portion of the signal and applying slight delays and or altering the pitch of the incoming signal before mixing it back together with the unprocessed portion. This signal treatment increases the likelihood of cancellation effects if modulation is placed earlier in the signal path.
Time-based effects are last in this suggested default order because they repeat the original signal without alteration. This treatment earlier in the signal path will conflict with other effects that alter the waveform if they were later in the signal chain giving you unpredictable results.
Now that I’ve laid out the “rules” I can move to the inevitable exceptions.
- If you have a Fuzz Face pedal you will need to plug your guitar into it directly. I learned this the hard way. It goes nuts if you have anything other than the guitar in front of it.
- Try the wah pedal just after drive pedals for a thicker sound.
- While modulation effects generally go after drive try placing phaser effects in front of your overdrive and distortion pedals.
