Guitar Wood Types and Tones

You need to know the various kinds of wood used to make guitar, be it in the body of the guitar, guitar neck, fret guitar, etc., as described by the source below :

Body Woods :

  • Basswood
  • Alder
  • Swamp Ash
  • Mahogany
  • Walnut
  • Koa
  • Korina
  • Soft Maple
  • Hard Maple
  • Spruce
  • Lacewood

Body tops :

  • Maple top on Basswood
  • Maple top on Mahogany
  • Maple top on Alder
  • Maple top on Swamp Ash
  • Rosewood tops
  • Koa tops
  • Walnut tops
  • Lacewood tops

Neck woods :

  • Maple
  • Mahogany
  • Koa
  • Rosewood
  • Wenge

Fretboard Woods :

  • Maple
  • Rosewood
  • Ebony
  • Pao Ferro

Extended Range notes :

Basswood is not stiff enough for a tight, well-defined low end, especially with a shorter scale. Low notes will have good harmonics, and a good fundamental, but a midrangey tone overall.

Alder has a tighter low end than Basswood, with slightly deeper lows.

Swamp Ash is stiff enough for a crisp low end without becoming muddy. The open pores help resonate low tones. Higher overtones become more apparent in lower registers, for good harmonic content and a sharper attack.

Mahogany’s warm lows and a thick sound overall make extended lows very full and can produce muddiness in the signal. The low notes are very strong and sometimes overbearing for a pickup. A bright, crisp active pickup that thins out the low end could be a good combination.

Walnut’s tight low end and combed midrange dynamics make it well suited for extended range. It won’t get muddy unless it’s a poor specimen with softer yellowish orange areas.

Like Walnut, Koa is a good Mahogany alternative. It will have a tighter low end with less muddiness. The slightly dampened higher overtones will produce a stronger fundamental than Walnut at the expense of a sharper attack.

Korina should respond to extended lows in the same manner as Mahogany. Soft Maple’s dull lows also mean no muddiness in the extended range. It can be a good alternative to Basswood if that’s your main concern. The pickups will have to compensate for the bright upper mids.

Hard Maple will have the tightest lows for the extended range. Low notes will have a sharp attack, plenty of harmonics, and excellent sustain.

Spruce
, while capable of reproducing extended lows, is too soft not to get mushy. A neck through, a laminated top, or both would provide the needed rigidity while still highlighting the good points of Spruce. Any laminated top 1/8” or thicker will improve the tightness of the low end. The existence of the lamination will tighten any body’s muddiness. The same qualities hold true in the laminate top descriptions.

Source : jemsite.com